Fatuous Leftism

http://www.wvwnews.net/story.php?id=1346

http://www.wvwnews.net/story.php?id=2283

Some of the hostile responses to Andrew Anthony’s book exemplified the very attitudes the author aimed to expose

Bella Thomas

Politicians make much of their own story in their speeches, and all too often commentators make oblique use of an individual’s origins as if it were enough to trounce their argument. As if a person’s predictable class values were being unthinkingly acted out; as if an outlook could be explained by experience alone.

Echoing this, there is a new genre of political autobiography, conceived long before the individual concerned has grown old, but whose story “thus far” embodies a wider argument. This may stem from a particular British fascination with biography, and in the practice rather than the theory of life: a reversion to the personal being an accessible way to navigate the heavy waters of contemporary politics. And in many cases, for good reason. The devastating accounts of eastern European émigrés who had experienced communist regimes for themselves were inevitably more persuasive critiques of the communist exercise than those which exposed the overwhelming shortcomings from the sidelines.

Andrew Anthony’s book, Fall-Out (Jonathan Cape), is a political memoir in the tradition of Chateaubriant, where the author looks back on former views with a cold analytical heart, and wonders why he never seriously questioned them. Anthony’s book ranges across the mindset of the contemporary left. He deploys an assured irony to point up the stranger elements of his own denial—and, by implication, that of others. He explodes the weaknesses of multiculturalism by explaining that not only is it replacing class as a way of building new walls between groups of people, but that the celebration of difference has become a means of enforcing group conformity; and that those who choose to speak for certain “communities” in fact, in the end favour monoculturalism. Tolerance of intolerance will eventually, as he puts it, “create the conditions of its own destruction.”Anthony’s is in some ways an ordinary story. But one can see why he chose to write it as autobiography rather than as an elongated comment piece. It is the ordinariness of his story, his analysis of liberal guilt, combined with his judicious take on class and race and his debunking of his former self that make his book so compelling. He implies that it was in the very acquisition of liberal guilt that he became middle class, having been brought up without any particular recourse to it on a rough estate in Kentish Town. He tries to identify the various generators of that selfsame guilt and its ludicrous social (and racial) consequences. All this is entertaining. But at one point he asks, “Why should it matter what someone like me thinks?… Why rake over these questions?” The answer is that “it offers an instructive lesson in how prevailing attitudes are shaped and uninformed opinions are formed.” It helps explain how Noam Chomsky could be considered the greatest living intellectual, and how the unscrupulous Michael Moore could be quite so influential.

Anthony’s book is framed by two triggers which forced him to confront himself. The first, 9/11, revealed the staggering silliness of many of his colleagues and mentors in their “US had it coming” responses. Of course, the “process of changing one’s mind is seldom a conversion of Damascene rapidity. There’s usually too much intellectual pride, and too much social or professional investment suddenly to dispatch long-held ideas to the conceptual waste bin.” But by the time of the Danish cartoons affair (the second trigger), the feeling had sufficiently distilled for him to resolve that it was necessary to write a confession of how he shed guilt and assumed realism. To do so, he takes us on a journey via some of his early dashes into the job market, from Harrods packaging department, to a Sandinista coffee plant, to a grim office in London which published a stiflingly boring publication about IT run by a man he considered a loathsome capitalist toad, but whose instincts he later came to re-examine.

http://www.prospect-magazine.co.uk/article_details.php?id=9938

2007-12-08