The last testament of Flashman’s creator: How Britain has destroyed itself
When 30 years ago I resurrected Flashman, the bully in Thomas Hughes’s Victorian novel Tom Brown’s Schooldays, political correctness hadn’t been heard of, and no exception was taken to my adopted hero’s character, behaviour, attitude to women and subject races (indeed, any races, including his own) and general awfulness.
On the contrary, it soon became evident that these were his main attractions. He was politically incorrect with a vengeance.
Through the Seventies and Eighties I led him on his disgraceful way, toadying, lying, cheating, running away, treating women as chattels, abusing inferiors of all colours, with only one redeeming virtue – the unsparing honesty with which he admitted to his faults, and even gloried in them.
And no one minded, or if they did, they didn’t tell me. In all the many thousands of readers’ letters I received, not one objected. In the Nineties, a change began to take place. Reviewers and interviewers started describing Flashman (and me) as politically incorrect, which we are, though by no means in the same way.
This is fine by me. Flashman is my bread and butter, and if he wasn’t an elitist, racist, sexist swine, I’d be selling bootlaces at street corners instead of being a successful popular writer.
But what I notice with amusement is that many commentators now draw attention to Flashy’s (and my) political incorrectness in order to make a point of distancing themselves from it.
It’s not that they dislike the books. But where once the non-PC thing could pass unremarked, they now feel they must warn readers that some may find Flashman offensive, and that his views are certainly not those of the interviewer or reviewer, God forbid.
I find the disclaimers alarming. They are almost a knee-jerk reaction and often rather a nervous one, as if the writer were saying: “Look, I’m not a racist or sexist. I hold the right views and I’m in line with modern enlightened thought, honestly.”
They won’t risk saying anything to which the PC lobby could take exception. And it is this that alarms me – the fear evident in so many sincere and honest folk of being thought out of step.
I first came across this in the United States, where the cancer has gone much deeper. As a screenwriter [at which Fraser was almost as successful as he was with the 12 Flashman novels; his best-known work was scripting the Three Musketeers films I once put forward a script for a film called The Lone Ranger, in which I used a piece of Western history which had never been shown on screen and was as spectacular as it was shocking – and true.
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