Black people aren’t dumb. As we have discussed, they know all about disingenuous white liberals (DWL’s) and how they really view Black people.
DWL’s love Black people – only as long as they don’t live near them nor attend their kids schools. If they violate this code, then DWL’s find it difficult o deal with Black people.
The entry on “The End of Knowing” has been a popular one here at SBPDL, as people have found it difficult to understand the movies intricate mythology and the Nordic undertones that movie portrays.
It is wrong to casually dismiss the ending and the SBPDL interpretation of the film, for DWL’s would love to live in a world devoid of Black people. The only problem is that they would have no minority group to use and manipulate for power.
As we will see in a future entry, Black people do not like vigilante movies. One of those movies is the 1999 film, The Boondock Saints, a film that has gained cult status around the world:
“The Boondock Saints is a 1999 crime thriller film written and directed by Troy Duffy. The film stars Sean Patrick Flanery and Norman Reedus as Catholic Irish American fraternal twins, Conner and Murphy MacManus, who become vigilantes after killing two members of the Russian Mafia in self-defense. After a message from God, the brothers, together with their friend David Della Rocco, set out to rid their home city of Boston, Massachusetts of crime and evil; all the while being pursued by FBI Special Agent Paul Smecker (Willem Dafoe).”
The two Irish brothers are on a Holy crusade to cleanse Boston – all of their targets in the film are white, whether they be Russian, Italian or Jewish – of evil and they are accompanied by another friend who early in the film absolves Black people from being in the cross-hairs of the Saints, through a joke.